Description

A DOOR TO A DOOR
Photo essay by Razak Kottakkal
“Razal considered photography is an arrangement for activism. He was never interested in the same or stardom of the living legends. Weither was he taking photographs for making money. In a pursuit for the emancipation of the side lined communities, whether they are the landless adivasis of’ wayanad or the always excluded people of Manipur; he camped irit them
with and without camera. That is hou hrom Chanu Sharmila top scored as his subject just belout Veendakara and Malappuram photos, in his long index of agitating outdoors.”
HAVALRAMSAJEEN
Editor: Mathrubhumi Weekly
“Razali, Photography urus a quest for something in
which he and his apparatus merged into one inseparable soiree. This is a typical hun for explorations, sinuations nerer encountered before, for the incredible, and for inquisitireness.
Thatras quintessence of the legendary Racak. When he started using his camera with a morning’ spirit
, it had a different locale of absorption”